"The Sticky Note Manifesto of Aisha Agarwal"

New from Quill Tree Books: The Sticky Note Manifesto of Aisha Agarwal by Ambika Vohra.

About the book, from the publisher:

In this heartfelt and hilarious debut from Ambika Vohra—that's Netflix's Never Have I Ever meets Jenny Han—one girl tackles a question that changes the trajectory of her senior year: "How have you gotten out of your comfort zone?"

That’s the Stanford admissions prompt that valedictorian shoo-in Aisha Agarwal can’t answer. Comfort zone? Her life’s been homework and junk food for as long as she can remember. Not exactly the thing college essays are written about. So, when her crush, Brian, asks her to winter formal, Aisha thinks her fate is changing...

... until Brian stands her up.

As if on cue, a banged-up Volkswagen arrives outside the dance; the driver—a guy her age—profusely apologizing for being late to pick her up. Does Aisha know him or what he's talking about? No. Does the Stanford essay convince her to take him up on the ride? Absolutely.

To Aisha’s relief, seventeen-year-old Quentin Santos isn’t a kidnapper, but he is failing math. So, they strike a deal: If Aisha helps Quentin pass math, he’ll help push her out of her comfort zone, using a series of sticky note to-do’s—dares—that will not only give Aisha content for her essay but will turn her into the confident person she’s always wanted to be.

From New Year’s Eve kisses to high school parties, Aisha’s sticky note manifesto is taking off. But when she falls for the wrong guy, hurts her best friend, and still can’t finish her essay, victory feels far from reach. Is winning worth it if you end up losing yourself in the process?

Visit Ambika Vohra's website.

--Marshal Zeringue

"Negative Life"

New from Northwestern University Press: Negative Life: The Cinema of Extinction by Steven Swarbrick and Jean-Thomas Tremblay.

About the book, from the publisher:

How films help us understand the inevitable death of Earth and humanity

Negative Life: The Cinema of Extinction brings cinema studies, queer theory, and psychoanalysis into novel configuration around the concept of negative life, a sundering of human and nonhuman relations. Engaging a philosophical and cinematic corpus that rejects the pastoralism of “entanglement” or “enmeshment,” Steven Swarbrick and Jean-Thomas Tremblay counter ecocritical pieties and cut a new path for theory. They examine films by Julian Pölsler, Kelly Reichardt, Lee Isaac Chung, Mahesh Mathai, Paul Schrader, and others that exemplify the existential contradictions currently intensifying amid the sixth mass extinction. Each case study testifies formally and thematically to negative life as a structural condition of thought and film. Together, the cases reveal the unlivable dimension of life and art, where form, desire, and nonbelonging tarry with the future-oriented promise of ecostudies—where all that lives connects. Negative Life militates against this promise, showing that faith in connection is a dead end.

--Marshal Zeringue

"Enemy of the State"

New from Blackstone Publishing: Enemy of the State (Killing Room series) by Robert Swartwood.

About the book, from the publisher:

From USA Today bestselling author Robert Swartwood comes Enemy of the State, the propulsive, thrilling, and much anticipated follow-up to The Killing Room ...

The world believed Daniel Burke was dead.

At least, the few people in the government who knew he existed did. Once part of an elite black op team, Burke faked his death so he could avenge his brother. Now that those responsible have been brought to justice, he plans to leave the country and start a new life.

But before Burke can even get on the plane, his old team has tracked him down.

The CIA believes Daniel Burke is a traitor--an enemy of the state--who must answer for his crimes. But others in government simply want him dead.

Knowing he's been set up, Burke is the only one who can track down and expose the real traitor--before it's too late.

Visit Robert Swartwood's website.

Q&A with Robert Swartwood.

The Page 69 Test: The Killing Room.

--Marshal Zeringue

"Monstrous Fantasies"

New from Cornell University Press: Monstrous Fantasies: England's Crusading Imaginary and the Romance of Recovery, 1300-1500 by Leila K. Norako.

About the book, from the publisher:

Monstrous Fantasies asks why medieval romances reimagining the crusades ending in a Christian victory circulated in England with such abundance after the 1291 Muslim reconquest of Acre, the last of the Latin crusader states in the Holy Land, and what these texts reveal about the cultural anxieties of late medieval England. Leila K. Norako highlights the impact that the Ottoman victory and subsequent massacre of Christian prisoners at the battle of Nicopolis in 1396 had on intensifying the popularity of what she calls recovery romance.

These two episodes inspired a sense of urgency over the fate of the Holy Land and of Latin Christendom itself, resulting in the proliferation of romances in which crusading English kings like Richard I and anachronistic legends like King Arthur not only reconquered Jerusalem but committed genocidal violence against the Muslims. These romances, which―as Norako argues―also influenced Geoffrey Chaucer's Canterbury Tales, conjure fantasies of an ascendant global Christendom by rehearsing acts of conquest and cultural annihilation that were impossible to realize in the late Middle Ages. Emphasizing the tension in these texts between nostalgia and anticipation that fuels their narrative momentum, Monstrous Fantasies also explores how the cultural desires for European and Christian hegemony that recovery romances versified were revived in the wake of the so-called wars on terror in the twenty-first century in such films as Kingdom of Heaven and American Sniper.

--Marshal Zeringue

"Fatal Intrusion"

New from Thomas & Mercer: Fatal Intrusion: A Novel (Sanchez & Heron) by Jeffery Deaver and Isabella Maldonado.

About the book, from the publisher:

As a wave of murders grips Southern California, an unlikely pair must untangle the mysterious patterns of an elusive killer. A propulsive new series by New York Times bestselling author Jeffery Deaver and Wall Street Journal bestselling author Isabella Maldonado.

Carmen Sanchez is a tough Homeland Security agent who plays by the rules. But when her sister is attacked, revealing a connection to a series of murders across Southern California, she realizes a conventional investigation will not be enough to stop the ruthless perpetrator.

With nowhere else to turn, Sanchez enlists the aid of Professor Jake Heron, a brilliant and quirky private security expert who, unlike Sanchez, believes rules are merely suggestions. The two have a troubled past, but he owes her a favor and she’s cashing in. They team up to catch the assailant, who, mystifyingly, has no discernible motive and fits no classic criminal profile. All they have to go on is a distinctive tattoo and a singular obsession that gives this chillingly efficient tactician his nickname: Spider.

Over the next seventy-two hours, Sanchez and Heron find themselves in the midst of a lethal chess match with the killer as they race to stop the carnage. As the victims mount, so do the risks. Because this spider’s web of intrigue is more sinister―and goes far deeper―than anyone could possibly anticipate.

--Marshal Zeringue

"The Year that Made the Musical"

New from Cambridge University Press: The Year that Made the Musical: 1924 and the Glamour of Musical Theatre by William A. Everett.

About the book, from the publisher:

Whether they appeared on Broadway or the Strand, the shows appearing in 1924 epitomized the glamor of popular musical theatre. What made this particular year so distinctive – so special – was the way it brought together the old and the new, the venerated and the innovative, and the traditional and the chic. William Everett, in his compelling new book, reveals this remarkable mid-Roaring Twenties stagecraft to have been truly transnational, with a stellar cast of producers, performers and creators boldly experimenting worldwide. Revues, musical comedies, zarzuelas and operettas formed part of a thriving theatrical ecosystem, with many works – and their leading artists – now unpredictably defying genres. The author demonstrates how fresh approaches became highly successful, with established leads like Marie Tempest and Fred Stone appearing in new productions even as youthful talents such as Florence Mills, Fred and Adele Astaire, Gertrude Lawrence and George Gershwin now started to make their mark.

--Marshal Zeringue

"Kingdom of Dust"

New from Quill Tree Books: Kingdom of Dust by Lisa Stringfellow.

About the book, from the publisher:

Author of A Comb of Wishes Lisa Stringfellow returns with a West African–inspired fantasy about a girl who is determined to return both magic and justice to her people—and whose destiny holds more surprises than she could ever imagine.

Though the land of Kun used to be lush and green, Amara has only ever known her homeland as a dry, dusty desert. When the griots vanished more than a decade ago, they took their magic with them, along with goddess Oala’s gifts of rain and plenty, leaving Kun controlled by a powerful and uncaring king. And though her foster mother, Zirachi, assures her that Kun is not under a curse, Amara can’t help but wonder if her own origin, which is shrouded in mystery, is somehow linked to the broken kingdom.

When Amara and Zirachi are attacked by the Nkume, the fearsome king’s guard, Amara must flee, leaving all that she has known behind. With nowhere to go but knowing that she is under Oala’s protection, Amara sets off to do the impossible: find the griots and save Kun before the kingdom blows away like dust.

Visit Lisa Stringfellow's website.

--Marshal Zeringue

"Balzac on the Barricades"

New from the University of Virginia Press: Balzac on the Barricades: The Literary Origins of an Economic Revolution by Rebecca Terese Powers.

About the book, from the publisher:

The role of nineteenth-century French literature in a distinctively modern political movement

When Parisian workers took to the streets in February 1848, they adopted the rallying cry of droit au travail (the right to work). That protesters increasingly framed employment as a political right represented a radical and modern development. But where had this idea originated? In her examination of this cause célèbre of France’s Second Republic, Rebecca Powers shows that the redefinition of labor as a basic right sprang not only from political debates but also directly from contemporary literature.

Powers charts the rise of this revolutionary concept through the tales of bourgeois dominance in the novels and newspaper articles of Honoré de Balzac. As Powers explains, this realist semiotician of French provincial and urban life par excellence was the first to attempt a definition of modern labor as an integral part of the emerging modern society. Powers makes clear how recognizing Balzac’s influence on mid-nineteenth-century political discourse is essential to understanding the course of events in that earth-shaking year.

--Marshal Zeringue

"A Pair of Wings"

New from Henry Holt & Company: A Pair of Wings: A Novel by Carole Hopson.

About the book, from the publisher:

An airline captain crafts a riveting, adventurous novel inspired by the remarkable true life of pioneer aviatrix Bessie Coleman, a Black woman who learned to fly at the dawn of aviation and found freedom in the air

A few years after the Wright brothers’ first flight, Bessie was working the Texas cotton fields with her family when an airplane flew over their heads. It buzzed so low she thought she could catch it in her hands. Bessie was fearless. She knew there was freedom in those wings.

The daughter of a woman born into slavery, Bessie answers the call of the Great Migration. She moves to Chicago, where she wins the backing of two wealthy, powerful Black men—Robert Abbott, creator and publisher of the Chicago Defender, and Jesse Binga, the founder of Chicago’s first Black bank. Abbott becomes her mentor, while Binga becomes her lover. Her true first love, though, remains flying.

But in 1920, no one in the United States will train a Black woman to fly. So, twenty-eight-year-old Bessie learns to speak French and sets off for Europe. Two years ahead of Amelia Earhart, Bessie earns her pilot's license, and later she learns death-defying stunts from French and German dogfighting combat pilots.

While she finds no prejudice in the air, Bessie wrestles with other challenges on the ground. A plane crash nearly kills her, her brothers seem to be crumbling under the weight of Jim Crow, and, while grappling with tough truths about Binga, Bessie begins to wonder if the freedom she finds in the sky means she must otherwise fly solo.

With tenderness and mastery, Carole Hopson imagines the breathtaking moxie Bessie Coleman harnessed in order to lift herself out of poverty and become known as “Queen Bess.”

Visit Carole Hopson's website.

--Marshal Zeringue

"Locker Room Talk"

New from Rutgers University Press: Locker Room Talk: A Woman’s Struggle to Get Inside by Melissa Ludtke.

About the book, from the publisher:

While sportswriters rushed into Major League Baseball locker rooms to talk with players, MLB Commissioner Bowie Kuhn barred the lone woman from entering along with them. That reporter, 26-year-old Sports Illustrated reporter Melissa Ludtke, charged Kuhn with gender discrimination, and after the lawyers argued Ludtke v. Kuhn in federal court, she won. Her 1978 groundbreaking case affirmed her equal rights, and the judge’s order opened the doors for several generations of women to be hired in sports media.

Locker Room Talk is Ludtke’s gripping account of being at the core of this globally covered case that churned up ugly prejudices about the place of women in sports. Kuhn claimed that allowing women into locker rooms would violate his players’ “sexual privacy.” Late-night television comedy sketches mocked her, as newspaper cartoonists portrayed her as a sexy, buxom looker who wanted to ogle the naked athletes’ bodies. She weaves these public perspectives throughout her vivid depiction of the court drama overseen by Judge Constance Baker Motley, the first Black woman to serve on the federal bench. She recounts how her lawyer, F.A.O. “Fritz” Schwarz, employed an ingenious legal strategy that persuaded Judge Motley to invoke the Fourteenth Amendment’s Equal Protection Clause in giving Ludtke access identical to that of her male counterparts. Locker Room Talk is both an inspiring story of one woman’s determination to do a job dominated by men and an illuminating portrait of a defining moment for women’s rights.

Visit Melissa Ludtke's website.

--Marshal Zeringue