"Dear Future Occupants"

New from the University of Wisconsin Press: Dear Future Occupants by Keith Stahl.

About the book, from the publisher:

It is 1979 and patriarch Bud relocates his family to his conservative hometown of Greenhill, Connecticut. Despite dubious restaurant experience, he uses his wife’s inheritance to purchase a diner in hopes of proving himself. Things begin to fall apart when police find an all-too-literal skeleton in the family’s basement. A series of misfortunes, accidents, and comedic events follow, including the creation of a vending-machine-sandwich/drug-dealing business and a protest-turned-siege at the local hospital.

Charting one family’s rise to subversive glory in a genteel New England town, this colonial gothic novel is told through found documents and multiple perspectives, including those of Bud; Victor, the middle son; and Herman, the ahead-of-their time, nonbinary, eldest child whose journal entries serve as a kind of Greek chorus throughout. In this breathless, exuberant work, Keith Stahl brilliantly captures the foundational dichotomies at the heart of the American experience: a puritanical distrust of anything fun and a nearly anarchic love of pleasure and freedom. Moving and bitterly humorous, Dear Future Occupants is a paean to the working class and the diversity that holds a family together.

Visit Keith Stahl's website.

--Marshal Zeringue

"Crimes Against Feeling"

New from University of Massachusetts Press: Crimes Against Feeling: Piracy, Sympathy, and Ocean Politics in Antebellum American Legal Culture by Mark B. Kelley.

About the book, from the publisher:

Demonstrating how emotion became central to the legal and literary meanings of piracy in nineteenth-century America

Pirates have long occupied a central yet unstable place in American law and national identity. In the decades leading up to and including the U.S. Civil War, the charge of piracy was leveled against an unusually wide range of figures: foreign heads of state, imperial filibusters, transoceanic enslavers, enslaved mutineers, radical abolitionists, and others who challenged established forms of authority. Early American literature reflects this instability, portraying pirates who vary dramatically in politics, race, gender, and allegiance. As Mark B. Kelley shows, these characters are united less by ideology than by their challenge to landed social norms and fixed national belonging. The pirate, in both law and literature, emerges as an individual defined by multiplicity rather than political coherence.

Crimes Against Feeling examines how Americans made sense of this ambiguous figure by turning to emotion. Drawing on legal materials including treaties, trial transcripts, congressional debates, and U.S. Supreme Court decisions, as well as popular sentimental fiction (often written by women), Kelley argues that piracy was codified as an offense against moral feeling rather than being a singular political position. Legal thinkers and writers such as John Quincy Adams, Abraham Lincoln, Jefferson Davis, Catharine Maria Sedgwick, Harriet Beecher Stowe, and Maria S. Cummins relied on shared affective frameworks―sympathy, sentiment, and domestic vulnerability―to render piracy legible and punishable. American pirate law, Kelley demonstrates, was shaped by the same emotional logics that structured the era’s popular fiction.

By tracing piracy across debates over domestic sovereignty, global enslavement and abolition, imperial expansion, postbellum reparations, and international copyright, Crimes Against Feeling reveals the pirate as a key figure for understanding gender, home, family, and nation in early America. Reading law and literature together, the book shows how emotional judgment―not political consensus―became a foundational tool for managing oceanic violence and transnational disorder in the nineteenth-century United States.

Visit Mark B. Kelley's website.

--Marshal Zeringue

"Falling Like Snow"

Coming October 6 from Margaret K. McElderry Books: Falling Like Snow (Part of Bramble Falls) by Misty Wilson.

About the book, from the publisher:

A girl juggles planning her town’s first-ever winter festival and untangling her complicated feelings for both her best friend and the star hockey player in this charming book in the swoony Bramble Falls series that started with the New York Times bestselling Falling Like Leaves.

After Bramble Falls’s wildly successful Falling Leaves Festival, Sloane Sullivan is looking forward to some downtime—especially kicking back and marathoning Nora Ephron movies with her best friend, Asher. But they barely make it through Sleepless in Seattle before Sloane’s mom calls an emergency tourism department meeting; it’s all hands on deck—Bramble Falls is having its first ever Falling Snow Festival!

Sloane may still be recovering from the last seasonal event, but she’s also excited. After all, Christmas is the best time of year! And she’ll have her whole crew by her side, including her cousin Ellis and, of course, Asher. But when irresistible, hockey-playing Micah catches Sloane’s attention, she finds herself a bit distracted. The emotions her unexpected flirtation brings up make Sloane feel confused about Micah…and Asher.

She’s never thought of Asher as more than her best friend, but even if Sloane is seeing Asher in a new light, what does that mean for her and Micah? Uncertain and more than a little overwhelmed, Sloane throws herself into festival preparations, hoping to get a little Christmas magic in return that will help her figure out where her heart lies.

Visit Misty Wilson's website.

--Marshal Zeringue

"The Whiteness Between Us"

New from the University of Chicago Press: The Whiteness Between Us: Early Modern Playbooks of Racial Triangulation by Noémie Ndiaye.

About the book, from the publisher:

A theorization of the representational juxtapositions, frictions, and connections between Black people and other non-white people in early modern European theatre.

Over the course of the seventeenth century, European drama was an important tool for whiteness to imagine itself at the top of an aspirational structure of power relations. Indeed, that structure could only be aspirational at a time when Europeans were profoundly divided along easily racializable religious and ethnic lines, and when their sovereignty was threatened by the Ottoman empire. It was to strengthen this emerging consciousness of racial whiteness, Noémie Ndiaye argues, that European drama engaged in a form of racial triangulation, fitting Muslim, Jewish, Indigenous, Romani, and Asian characters into a spurious black/white racial binary.

Focusing on English, Spanish, and French drama from 1580 to 1715, The Whiteness Between Us shows how plays became a crucial tool to position not only black people but any non-white community in the new racial architecture that white supremacy sought to build. Ndiaye reveals the stage of this era as a space for wish fulfillment, enabling participants to imagine and work towards a whiter future.

The early modern playbooks of racial triangulation that Ndiaye brings to light can and have been reactivated for white supremacist purposes in our own day and age. Partly in response to the contemporary threat of white nationalism, scholars and students have sought to unearth the early modern roots of racial whiteness and white supremacy. Ndiaye’s book participates in this wave of interest, offering several innovations, including its capacious transnational claims.

Visit Noémie Ndiaye's website.

--Marshal Zeringue

"Hanging and Burning"

Coming October 20 from Little, Brown and Company: Hanging and Burning: A King Oliver by Walter Mosley.

About the novel, from the publisher:

A dying gangster’s plea sends Joe King Oliver on a quest for a missing woman across America’s coasts—unraveling a dark and violent family history along the way—in this engrossing new novel from one of the most celebrated and acclaimed crime writers at work today.

Joe King Oliver is the big man you call to solve the most delicate and dangerous of problems. Fresh off unraveling the mystery of his own parents’ fates, King finds himself accepting (again at his grandmother’s request) a case from Arman Babylon, a powerful Los Angeles gangster now dying from cancer.

Babylon’s granddaughter, Twyla Mann, has been missing for years, and he’s desperate to find her before he passes. The search pulls King into the Babylons’ stained past and the cold case of Dalia Shorts, a torch singer who vanished without a trace and whom Arman was once suspected of killing.

As King follows her trail from L.A. to New York and back, he’ll realize nothing is what it seems as he uncovers a pattern of violence that has targeted the women around Babylon for decades. How much will King be willing to risk to finally set things right?

Visit Walter Mosley's website.

--Marshal Zeringue

"Claiming the Nation"

New from the University of California Press: Claiming the Nation: The Politics of Nationalism in Modern Brazil by Andre Pagliarini.

About the book, from the publisher:

Time and again, in heated debates over Brazil's political economy and democracy, one disputed concept emerges: nationalism. Claiming the Nation traces the contested history of the nationalist label in twentieth-century Brazil, examining how both progressive and conservative forces invoked national interest to advance divergent political agendas. Focusing on the period from the 1920s through the end of military rule in 1985, Andre Pagliarini demonstrates how progressive reformers linked nationalism to social justice, economic sovereignty, and mass participation, while right-wing elites often used it to justify hierarchy and technocratic governance. Through detailed analysis of political debates, media, and activism, the book shows how competing attempts to define and claim nationalism in the public square shaped Brazil’s civic identity, development, and political trajectory during the past one hundred years. Ultimately, Pagliarini unveils the enduring ways in which control over nationalist discourse became a proxy for determining who legitimately represented the nation and its future.

--Marshal Zeringue

"The House Built on Alligator Bones"

New from Dutton: The House Built on Alligator Bones: A Novel by Sophia Huneycutt.

About the novel, from the publisher:

The Greers built their fortune on alligator bones.

Dartrine Beaumont believes her mother’s sudden death has left her alone in the world—until she learns of long-lost wealthy relatives living in Florida. Confused but delighted by the possibility of extended family, Dart travels to her grandmother’s stately Gilded Age mansion on Amelia Island for answers, just in time to stake a claim on an unusual inheritance: an alligator farming empire.

Her arrival at Greer House isn’t everything she hoped. Without warning, Dart finds herself in fierce competition with her grandmother’s arrogant heir apparent, and tensions rise as threats escalate on one of the farms. More unsettling is her hostile grandmother’s fanatical belief that the danger stems from a curse; according to legend, a larger-than-life alligator hunted down by a bloodthirsty ancestor haunts the family. Yet Dart can’t deny that the farm’s alligators hiss only at Greers, or that a shadowy figure creeps through the mansion’s halls.

As Dart uncovers the truth about her violent birthright, she faces a terrible choice: accept her place in her family’s grim legacy or forge a new path by slaying a different beast entirely.

Visit Sophia Huneycutt's website.

--Marshal Zeringue

"Without Masters"

New from Duke University Press: Without Masters: Autogestión, Anarchist Ethics, and Mexico City Punk by Livia K. Stone.

About the book, from the publisher:

Without Masters is an anthropological history of the radical ethical and political principle of autogestión as it traveled around the world in the twentieth century and came to be popularized in Mexico City in the early 2000s. A political term that first arose in 1962 Algeria traveled across continents until it landed in Mexico City’s anarcho-punk scene in the 1980s, where it eventually came to be associated more with zines, music, art, and Zapatismo than with its origins in anarchism or syndicalism. Without Masters brings the true history of autogestión and the quiet radicalism of Mexico City’s autogestive collectives to an English-speaking audience for the first time. Along the way, Stone brings together diverse materials, from punk zines and political fliers to Beat novels and Zapatista parables, that tell an alternate history of radical politics throughout the world in the second half of the twentieth century which serves as a reminder of Mexico’s formative role in the creation of modern social theory.

--Marshal Zeringue

"'Twas the Night"

Coming October 13 from William Morrow Paperbacks: 'Twas the Night: A Novel by Kevin Johnson.

About the book, from the publisher:

A young reporter follows a string of disappearances into the middle of a terrifying Christmas cult inspired by our favorite holiday classics.

You better watch out. You better not cry.

It’s Christmas in the village of Yule, Maine.

In fact, it’s always Christmas in Yule. Here, Santa Claus isn’t a storybook figure. He’s an icon. A god. The villagers don’t just believe in him—they worship him. And the world is better for it.

Halley Belanger hates Christmas, and she doesn’t have much love for Santa either. But when a string of child disappearances across Maine seems to spare only the village of Yule, Halley—a sharp, skeptical reporter—decides to investigate.

What she finds is a town that guards its secrets with gingerbread smiles and a snow globe sheen. Outsiders aren’t welcome. She isn’t welcome. And something sinister is keeping the Christmas spirit alive.

As Halley digs deeper, she begins to uncover the horrifying truth behind Yule’s eternal cheer. Christmas comes at a grisly cost. And Santa Claus is no saint.

Visit Kevin Johnson's website.

--Marshal Zeringue

"Filial Lines"

New from Cambridge University Press: Filial Lines: Art Spiegelman, Alison Bechdel, and Comics Form by Emmy Waldman.

About the book, from the publisher:

This is the first book to place the autobiographical projects of canonical comics authors Art Spiegelman and Alison Bechdel alongside each other, focusing on new and neglected works (and with an epilogue on the Pulitzer Prize-winning tour-de-force debut of Tessa Hulls). The book offers a lively cast of five formal tropes-boxes, spirals, tic-tac-toe, mirrors, and webs-through which to model fundamental elements of the comics grammar and its material processes. Built around rich close readings, it shows what makes the comics form particularly suited to negotiate complex familial and creative inheritances and manage layered, relational identities. Interweaving accounts of Jewish identity, female embodiment, legacies of modernism, and feminist practice, the book traces how contemporary graphic memoirists visually work and rework their filiations and affiliations through form, situating the medium as a privileged site and staging ground for arguments about the enabling possibilities of form now.

--Marshal Zeringue