"April Storm"

Coming November 12 from Harper: April Storm: A Novel by Leila Meacham.

About the book, from the publisher:

Katherine Walker enjoys an enviable life. Her husband is an accomplished doctor, her children are bright and successful, and she devotes herself to charity work that uplifts her Suburban Colorado community. Settling into a new year, her life couldn’t be better. . .

Until April.

For Katherine, April has always rained trouble—but this time may be even stormier than the fraught past she’s trying to overcome. Already distraught over the child she miscarried in this same cursed month many years ago, the emotionally fragile woman isn’t ready to consider the overwhelming evidence that someone may be trying to take her husband—and her life.

Featuring the complex characters and powerful storytelling that are the beloved hallmarks of Leila Meacham’s novels beginning with her breakout debut Roses, April Storm is a page-turning triumph that caps a remarkable literary career.

Visit Leila Meacham's website.

The Page 69 Test: Roses.

The Page 69 Test: Titans.

My Book, The Movie: Titans.

Writers Read: Leila Meacham (April 2016).

--Marshal Zeringue

"Political Moods"

New from the University of California Press: Political Moods: Film Melodrama and the Cold War in the Two Koreas by Travis Workman.

About the book, from the publisher:

Melodrama films dominated the North and South Korean industries in the period between liberation from Japanese colonial rule in 1945 and the hardening of dictatorship in the 1970s. The films of each industry are often read as direct reflections of Cold War and Korean War political ideologies and national historical experiences, and therefore as aesthetically and politically opposed to each other. However, Political Moods develops a comparative analysis across the Cold War divide, analyzing how films in both North and South Korea convey political and moral ideas through the sentimentality of the melodramatic mode. Travis Workman reveals that the melancholic moods of film melodrama express the somatic and social conflicts between political ideologies and excesses of affect, meaning, and historical references. These moods dramatize the tension between the language of Cold War politics and the negative affects that connect cinema to what it cannot fully represent. The result is a new way of historicizing the cinema of the two Koreas in relation to colonialism, postcolonialism, war, and nation building.

--Marshal Zeringue

"A Cold, Cold World"

New from Severn House: A Cold, Cold World by Elena Taylor.

About the book, from the publisher:

A female sheriff tries to fill her late father's boots and be the sheriff her small Washington State mountain town needs as a deadly snow storm engulfs the town, in this dark, twisty mystery.

The world felt pure. Nature made the location pristine again, hiding the scene from prying eyes. As if no one had died there at all.

In the months since Bet Rivers solved her first murder investigation and secured the sheriff's seat in Collier, she's remained determined to keep her town safe. With a massive snowstorm looming, it's more important than ever that she stays vigilant.

When Bet gets a call that a family of tourists has stumbled across a teen injured in a snowmobile accident on a mountain ridge, she braves the storm to investigate. However, once she arrives at the scene of the accident it's clear to Bet that the teen is not injured; he's dead. And has been for some time . . .

Investigating a possible homicide is hard enough, but with the worst snowstorm the valley has seen in years threatening the safety of her town, not to mention the integrity of her crime scenes - as they seem to be mounting up as well - Bet has to move fast to uncover the complicated truth and prove that she's worthy of keeping her father's badge.

Visit Elena Taylor's website.

--Marshal Zeringue

"Intimate Subjects"

New from the University of Chicago Press: Intimate Subjects: Touch and Tangibility in Britain's Cerebral Age by Simeon Koole.

About the book, from the publisher:

An insightful history of nineteenth- and twentieth-century Britain told through a single sense: touch.

When, where, and who gets to touch and be touched, and who decides? What do we learn through touch? How does touch bring us closer together or push us apart? These are urgent contemporary questions, but they have their origins in late nineteenth- and early twentieth-century Britain, when new urban encounters compelled intense discussion of what touch was, and why it mattered. In this vividly written book, Simeon Koole excavates the history of these concerns and reveals how they continue to shape ideas about “touch” in the present.

Intimate Subjects takes us to the bustling railway stations, shady massage parlors, all-night coffee stalls, and other shared spaces where passengers, customers, vagrants, and others came into contact, leading to new understandings of touch. We travel in crammed subway cars, where strangers negotiated the boundaries of personal space. We visit tea shops where waitresses made difficult choices about autonomy and consent. We enter classrooms in which teachers wondered whether blind children could truly grasp the world and labs in which neurologists experimented on themselves and others to unlock the secrets of touch. We tiptoe through London’s ink-black fogs, in which disoriented travelers became newly conscious of their bodies and feared being accosted by criminals. Across myriad forgotten encounters such as these, Koole shows, touch remade what it meant to be embodied—as well as the meanings of disability, personal boundaries, and scientific knowledge.

With imagination and verve, Intimate Subjects offers a new way of theorizing the body and the senses, as well as a new way of thinking about embodiment and vulnerability today.

--Marshal Zeringue

"The House on Cold Creek Lane"

New from Severn House: The House on Cold Creek Lane by Liz Alterman.

About the book, from the publisher:

An unflinching examination of motherhood and the dark side of domesticity set against a suburban backdrop that's anything but blissful. This twisty tale invites readers to a slow motion

unravelling that culminates in a devastating finale!

Who was I? What had I become?
Breathe, I c

ommanded. You're doing this for your family.

When Laurel and Rob West move into their new home in New Jersey, it seems too good to be true. But Laurel can't shake off her old feelings of anxiety. The neighbor who pays far too much attention to the Wests' two young children . . . Rob watching her every misstep . . . and there's something people aren't telling her about this house . . .

I promised myself I wouldn't go to that neighborhood again. Not that street. Not so soon.
But I couldn't help it. They made it too easy.

Corey Sutton is trying to outrun her past. Recently divorced and reeling from a devastating loss, she moves into her widowed mother's retirement condo in Florida. Everyone says she just needs some time to recover and rebuild . . . but is Corey beyond saving? She wants answers. And there's very little she won't do to get them.

Though Laurel and Corey have never met, the women have something in common, and if they're not careful, it may just destroy them both . . .

Visit Liz Alterman's website.

Q&A with Liz Alterman.

My Book, The Movie: The Perfect Neighborhood.

The Page 69 Test: The Perfect Neighborhood.

--Marshal Zeringue

"To Fix a National Character"

New from Johns Hopkins University Press: To Fix a National Character: The United States in the First Barbary War, 1800-1805 by Abigail G. Mullen.

About the book, from the publisher:

A new history of the First Barbary War, a conflict that helped plant the seeds for the United States' ascent to a global superpower.

After the American Revolution, maritime traders of the United States lost the protection of Britain's navy, leading privateers from the Barbary States—Algiers, Tunis, Tripoli, and the Sultanate of Morocco—to prey on American shipping in the Mediterranean, kidnapping and enslaving American sailors. While most European countries made treaties to circumvent this predation, this option was fiscally untenable for the young nation, and on May 14, 1801, Tripoli declared war on the United States.

In To Fix a National Character, Abigail G. Mullen argues that the First Barbary War represented much more than the military defeat of an irritating minor power. The United States sought a much more ambitious goal: entrance to the Mediterranean community, as well as respect and recognition as an equal member of the European Atlantic World. Without land bases in the region, good relations with European powers were critical to the United States' success in the war. And because the federal government was barely involved in the distant conflict, this diplomacy fell to a series of consuls and commodores whose goals, as well as diplomatic skills, varied greatly.

Drawing on naval records, consular documents, and personal correspondences, Mullen focuses on the early years of the war, when Americans began to build relationships with their Mediterranean counterparts. This nuanced political and diplomatic history demonstrates that these connections represented the turning point of the war, rather than any individual battles. Though the war officially ended in 1805, whether the United States truly "won" the war is debatable: European nations continued to regard the United States as a lesser nation, and the Barbary states continued their demands for at least another decade.

Visit Abby Mullen's website.

--Marshal Zeringue

"The Singer Sisters"

New from Flatiron Books: The Singer Sisters: A Novel by Sarah Seltzer.

About the book, from the publisher:

Two generations of a folk-rock dynasty collide over art, love, longing, and family secrets in this captivating and poignant debut

It's 1996, and alt-rocker Emma Cantor is on tour, with her sights trained on a record deal. Emma’s got no lack of inspiration for her music — chiefly her mother Judie, a 1960s folk legend whose confessional songs made her an icon before her mysterious withdrawal from the public eye. Emma is baffled by Judie's coldness, and is deeply shaken when she learns a long-kept secret about their family. When Emma uncovers more about her mother's past, she is vaulted to new heights as a performer. But the knowledge she gains also propels her toward a musical betrayal that further fractures her relationship with Judie. Increasingly famous, but fragile and isolated, Emma grapples with her mother’s legacy and what it means for her own future.

With the richness of a beloved folk song, The Singer Sisters moves between ’60s folk clubs and ’90s music festivals, chronicling the ups and downs of stardom while asking what women artists must sacrifice for success.

Visit Sarah Seltzer's website.

--Marshal Zeringue

"Taking Funny Music Seriously"

New from Indiana University Press: Taking Funny Music Seriously by Lily E. Hirsch.

About the book, from the publisher:

Take funny music seriously! Though often dismissed as silly or derivative, funny music, Lily E. Hirsch argues, is incredibly creative and dynamic, serving multiple aims from the celebratory to the rebellious, the entertaining to the mentally uplifting.

Music can be a rich site for humor, with so many opportunities that are ripe for a comedic left turn. Taking Funny Music Seriously includes original interviews with some of the best musical humorists, such as Tom Lehrer, "the J. D. Salinger of musical satire"; Peter Schickele, who performed as the invented composer P. D. Q. Bach, the supposed lost son of the great J. S. Bach; Kate Micucci and Riki Lindhome of the funny music duo Garfunkel and Oates; comedic film composer Theodore Shapiro; Too Slim of the country group Riders in the Sky; and musical comedian Jessica McKenna, from the podcast Off Book, part of a long line of "funny girls." With their help, Taking Funny Music Seriously examines comedy from a variety of genres and musical contexts―from bad singing to rap, classical music to country, Broadway music to film music, and even love songs and songs about death.

In its coverage of comedic musical media, Taking Funny Music Seriously is an accessible and lively look at funny music. It offers us a chance to appreciate more fully the joke in music and the benefits of getting that joke―especially in times of crisis―including comfort, catharsis, and connection.

Visit Lily E. Hirsch's website.

--Marshal Zeringue

"Plays Well with Others"

New from William Morrow: Plays Well with Others: A Novel by Sophie Brickman.

About the book, from the publisher:

It takes a village...just not this one.

Annie Lewin is at the end of her rope. She’s a mother of three young children, her workaholic husband is never around, and the vicious competition for spots in New York City’s kindergartens is heating up. A New York Times journalist-turned-parenting-advice-columnist for an internet start-up, Annie can’t help but judge the insanity of it all—even as she finds herself going to impossible lengths to secure the best spot for her own son.

As Annie comes to terms with the infinitesimal odds of success, her intensifying rivalry with hotshot lawyer Belinda Brenner—a deliciously hateful nemesis, what with her perfectly curated bento box lunches and effortless Instagram chic—pushes her to the brink. Of course, this newly raw and unhinged version of Annie is great for the advice column: the more she spins out, the more clicks and comments she gets.

But when she commits a ghastly social faux pas that goes viral, she’s forced to confront the question: is she really any better than the cutthroat parents she always judged?

A shimmering epistolary novel incorporating emails, group texts, advice columns, newspaper profiles, and more, Plays Well with Others is a whip-smart, genuinely funny romp through the minefield of modern motherhood. But beneath its fast-paced, satirical veneer, Brickman gives us a fresh, open-hearted, all-too-real take on what it means to be a parent—fierce love, craziness, and all.

Visit Sophie Brickman's website.

--Marshal Zeringue

"Bodies in the Middle"

New from the University of South Carolina Press: Bodies in the Middle: Black Women, Sexual Violence, and Complex Imaginings of Justice by Maya Hislop.

About the book, from the publisher:

A probing analysis of Black women's attempts to pursue justice for sexual-violence victims within often hostile social and legal systems

In Bodies in the Middle: Black Women, Sexual Violence, and Complex Imaginings of Justice, Maya Hislop examines the lack of place that Black women experience, specifically when they are victims of sexual violence. Hislop uses both historical and literary analyses to explore how women, in the face of indifference and often hostility, have sought to redefine justice for themselves within a framework she calls "Afro-pessimistic justice." Afro-pessimism begins from the belief that Black life in America, and in turn the American justice system, is constrained within a framework of anti-Blackness meant to enforce white supremacy. Inspired by the work of Black-studies luminaries such as Orlando Patterson, Sylvia Wynter, and Fred Moten, Hislop asks what justice can look like in the absence of total victory and how Black women have attempted to define alternative paths to a just future.

--Marshal Zeringue