Tuesday, August 3, 2021

"Slave Revolt on Screen"

New from the University Press of Mississippi Press: Slave Revolt on Screen: The Haitian Revolution in Film and Video Games by Alyssa Goldstein Sepinwall.

About the book, from the publisher:

In Slave Revolt on Screen: The Haitian Revolution in Film and Video Games author Alyssa Goldstein Sepinwall analyzes how films and video games from around the world have depicted slave revolt, focusing on the Haitian Revolution (1791–1804). This event, the first successful revolution by enslaved people in modern history, sent shock waves throughout the Atlantic World. Regardless of its historical significance however, this revolution has become less well-known—and appears less often on screen—than most other revolutions; its story, involving enslaved Africans liberating themselves through violence, does not match the suffering-slaves-waiting-for-a-white-hero genre that pervades Hollywood treatments of Black history.

Despite Hollywood’s near-silence on this event, some films on the Revolution do exist—from directors in Haiti, the US, France, and elsewhere. Slave Revolt on Screen offers the first-ever comprehensive analysis of Haitian Revolution cinema, including completed films and planned projects that were never made.

In addition to studying cinema, this book also breaks ground in examining video games, a pop-culture form long neglected by historians. Sepinwall scrutinizes video game depictions of Haitian slave revolt that appear in games like the Assassin’s Creed series that have reached millions more players than comparable films. In analyzing films and games on the revolution, Slave Revolt on Screen calls attention to the ways that economic legacies of slavery and colonialism warp pop-culture portrayals of the past and leave audiences with distorted understandings.
Follow Alyssa Sepinwall on Twitter.

--Marshal Zeringue

"The Truth of it All"

New from Crooked Lane Books: The Truth of it All: A Novel by Gwen Florio.

About the book, from the publisher:

A hot-button legal case fuels a community’s smoldering hostility–but the dark secret at its heart could set the town ablaze.

Public defender Julia Geary moves through life in simmering resentment–at her husband, a soldier killed in Iraq, leaving her a single mother; at her low-paying job; and at her overbearing mother-in law, whose home she shares. She longs for a breakout case, and it arrives when members of the high school soccer team report seeing a teammate–Iraqi refugee Sami Mohammed–assaulting a girl in the locker room.

In a town where animosity against refugees has already reached a fever pitch, Julia throws all her energy into Sami’s defense. She finds an ally in high school principal Dom Parrish, who believes Sami is innocent, and the case suddenly turns red hot.

Then she begins receiving vicious threats against her family, and a senseless act of violence leaves Sami in a coma. And finally, a crop of new evidence emerges that points to the town’s most prominent citizens and pits Julia against powerful forces set on burying the truth once and for all.

If Sami survives and Julia can prove him innocent, it will be the case of a lifetime. But now it’s her life that’s on the line.
Visit Gwen Florio's website.

Coffee with a Canine: Gwen Florio & Nell.

My Book, the Movie: Silent Hearts.

Writers Read: Gwen Florio (August 2018).

The Page 69 Test: Silent Hearts.

My Book, The Movie: Best Laid Plans.

The Page 69 Test: Best Laid Plans.

Q&A with Gwen Florio.

--Marshal Zeringue

Monday, August 2, 2021

"Ghost Girl"

New from Katherine Tegen Books: Ghost Girl by Ally Malinenko.

About the book, from the publisher:

Perfect for fans of Small Spaces and Nightbooks, Ally Malinenko’s debut is an empowering and triumphant ghost story——with spooky twists sure to give readers a few good goosebumps!

Zee Puckett loves ghost stories. She just never expected to be living one.

It all starts with a dark and stormy night. When the skies clear, everything is different. People are missing. There’s a creepy new principal who seems to know everyone’s darkest dreams. And Zee is seeing frightening things: large, scary dogs that talk and maybe even . . . a ghost.

When she tells her classmates, only her best friend Elijah believes her. Worse, mean girl Nellie gives Zee a cruel nickname: Ghost Girl.

But whatever the storm washed up isn’t going away. Everyone’s most selfish wishes start coming true in creepy ways.

To fight for what’s right, Zee will have to embrace what makes her different and what makes her Ghost Girl. And all three of them—Zee, Elijah, and Nellie—will have to work together if they want to give their ghost story a happy ending.
Visit Ally Malinenko's website.

--Marshal Zeringue

"Providence and the Invention of American History"

New from Yale University Press: Providence and the Invention of American History by Sarah Koenig.

About the book, from the publisher:

How providential history—the conviction that God is an active agent in human history—has shaped the American historical imagination

In 1847, Protestant missionary Marcus Whitman was killed after a disastrous eleven-year effort to evangelize the indigenous peoples of the Pacific Northwest. By 1897, Whitman was a national hero, celebrated in textbooks, monuments, and historical scholarship as the “Savior of Oregon.” But his fame was based on a tall tale—one that was about to be exposed.

Sarah Koenig traces the rise and fall of Protestant missionary Marcus Whitman’s legend, revealing two patterns in the development of American history. On the one hand is providential history, marked by the conviction that God is an active agent in human history and that historical work can reveal patterns of divine will. On the other hand is objective history, which arose from the efforts of Catholics and other racial and religious outsiders to resist providentialists’ pejorative descriptions of non-Protestants and nonwhites. Koenig examines how these competing visions continue to shape understandings of the American past and the nature of historical truth.
--Marshal Zeringue

"How to Kill Your Best Friend"

New from Berkley: How to Kill Your Best Friend by Lexie Elliott.

About the book, from the publisher:

If you suspected your best friend, the person you were closest to in the whole world, was a murderer, what would you do? Would you confront her? Would you help keep her secret? Or would you begin to feel afraid? Most importantly, why don’t you feel safe now that she’s dead? From the author of The French Girl comes a novel full of secrets, suspense, and deadly twists.

Georgie, Lissa, and Bronwyn have been inseparable since dominating their college swim team; swimming has always been an escape from their own problems, but now their shared passion has turned deadly. How can it be true that Lissa, the strongest swimmer they know, drowned? Granted, there is something strange about Kanu Cove, where Lissa was last seen, swimming off the coast of the fabulous island resort she owned with her husband.

Lissa’s closest friends gather at the resort to honor her life, but Georgie and Bron can’t seem to stop looking over their shoulders. Danger lurks beneath the surface of the crystal-clear water, and even their luxurious private villas can’t help them feel safe. As the weather turns ominous, trapping the funeral guests together on the island, nobody knows who they can trust. Lissa’s death was only the beginning….
Visit Lexie Elliott's website.

The Page 69 Test: The French Girl.

My Book, The Movie: The French Girl.

The Page 69 Test: The Missing Years.

--Marshal Zeringue

"Danger at the Cove"

New from Minotaur Books: Danger at the Cove: An Island Sisters Mystery by Hannah Dennison.

About the book, from the publisher:

In Danger at the Cove, the second book in a delightful cozy series by Hannah Dennison a surprise visitor makes an appearance on the island—and murder ensues.

Renovations on Tregarrick Rock Hotel are coming along, and Evie Mead thinks they just might be done by opening day. Then one of her sister Margot’s old Hollywood friends, Louise, arrives unannounced—and expecting VIP treatment.

Evie has half a mind to tell Louise to find other accommodations, but Margot pleads with Evie, saying that Louise—despite her upbeat and demanding attitude—is grieving her recently deceased husband. Evie pities her, and besides, the sisters need help. A simple rewiring project has resulted in a major overhaul of the hotel, and they’re way over budget. The small life insurance policy left to Evie by her own husband is gone, and they are desperate for funds. Margot believes that Louise, a marketing guru, can put the hotel on the map and give it the boost it needs.

But when a member of the hotel staff is found dead, and then another murder follows, the sisters’ plans crumble before their eyes. Who would do such a thing—and why? In a rollicking adventure involving a shipwreck filled with buried treasure, a dashing and mysterious Australian named Randy, and old rivalries stretching back to far before Evie and Margot ever set foot on the island, it’s all hands on deck to find the killer—and save the hotel.
Visit Hannah Dennison's website and Facebook page.

The Page 69 Test: Murder at Honeychurch Hall.

My Book, The Movie: Murder at Honeychurch Hall.

My Book, The Movie: Deadly Desires at Honeychurch Hall.

The Page 69 Test: Deadly Desires at Honeychurch Hall.

Writers Read: Hannah Dennison (May 2016).

The Page 69 Test: A Killer Ball at Honeychurch Hall.

--Marshal Zeringue

Sunday, August 1, 2021

"The Family Plot"

New from Atria Books: The Family Plot: A Novel by Megan Collins.

About the book, from the publisher:

From the author of The Winter Sister and Behind the Red Door, this “masterpiece of gothic suspense and horror, filled with dark family secrets and stunning twists” (Michele Campbell, author of It’s Always the Husband) follows a family obsessed with true crime as they gather to bury their patriarch—only to find another body already in his grave.

At twenty-six, Dahlia Lighthouse is haunted by her upbringing. Raised in a secluded island mansion deep in the woods and kept isolated by her true crime-obsessed parents, she is unable to move beyond the disappearance of her twin brother, Andy, when they were sixteen.

After several years away and following her father’s death, Dahlia returns to the house, where the family makes a gruesome discovery: buried in their father’s plot is another body—Andy’s, his skull split open with an ax.

Dahlia is quick to blame Andy’s murder on the serial killer who terrorized the island for decades, while the rest of her family reacts to the revelation in unsettling ways. Her brother, Charlie, pours his energy into creating a family memorial museum, highlighting their research into the lives of famous murder victims; her sister, Tate, forges ahead with her popular dioramas portraying crime scenes; and their mother affects a cheerfully domestic facade, becoming unrecognizable as the woman who performed murder reenactments for her children. As Dahlia grapples with her own grief and horror, she realizes that her eccentric family, and the mansion itself, may hold the answers to what happened to her twin.
Visit Megan Collins's website.

--Marshal Zeringue

"Paradise: One Town's Struggle to Survive an American Wildfire"

New from Crown: Paradise: One Town's Struggle to Survive an American Wildfire by Lizzie Johnson.

About the book, from the publisher:

The definitive firsthand account of California’s Camp Fire, the nation’s deadliest wildfire in a century, Paradise is a riveting examination of what went wrong and how to avert future tragedies as the climate crisis unfolds “A reportorial tour de force.”—Erik Larson, author of The Splendid and the Vile

On November 8, 2018, the people of Paradise, California, awoke to a mottled gray sky and gusty winds. Soon the Camp Fire was upon them, gobbling an acre a second. Less than two hours after the fire ignited, the town was engulfed in flames, the residents trapped in their homes and cars. By the next morning, eighty-five people were dead.

As a reporter for the San Francisco Chronicle, Lizzie Johnson was there as the town of Paradise burned. She saw the smoldering rubble of a historic covered bridge and the beloved Black Bear Diner and she stayed long afterward, visiting shelters, hotels, and makeshift camps. Drawing on years of on-the-ground reporting and reams of public records, including 911 calls and testimony from a grand jury investigation, Johnson provides a minute-by-minute account of the Camp Fire, following residents and first responders as they fight to save themselves and their town. We see a young mother fleeing with her newborn; a school bus full of children in search of an escape route; and a group of paramedics, patients, and nurses trapped in a cul-de-sac, fending off the fire with rakes and hoses.

In Paradise, Johnson documents the unfolding tragedy with empathy and nuance. But she also investigates the root causes, from runaway climate change to a deeply flawed alert system to Pacific Gas and Electric’s decades-long neglect of critical infrastructure. A cautionary tale for a new era of megafires, Paradise is the gripping story of a town wiped off the map and the determination of its people to rise again.
Visit Lizzie Johnson's website.

--Marshal Zeringue

"She Wouldn't Change a Thing"

New from Forge Books: She Wouldn't Change a Thing by Sarah Adlakha.

About the book, from the publisher:

Sliding Doors meets Life After Life in Sarah Adlakha's story about a wife and mother who is given the chance to start over at the risk of losing everything she loves.

A second chance is the last thing she wants.

When thirty-nine year old Maria Forssmann wakes up in her seventeen-year-old body, she doesn’t know how she got there. All she does know is she has to get back: to her home in Bienville, Mississippi, to her job as a successful psychiatrist and, most importantly, to her husband, daughters, and unborn son.

But she also knows that, in only a few weeks, a devastating tragedy will strike her husband, a tragedy that will lead to their meeting each other.

Can she change time and still keep what it’s given her?

Exploring the responsibilities love lays on us, the complicated burdens of motherhood, and the rippling impact of our choices, She Wouldn't Change a Thing is a dazzling debut from a bright new voice.
Visit Sarah Adlakha's website.

--Marshal Zeringue

"The Maternalists"

New from the University of Pennsylvania Press: The Maternalists: Psychoanalysis, Motherhood, and the British Welfare State by Shaul Bar-Haim.

About the book, from the publisher:

The Maternalists is a study of the hitherto unexplored significance of utopian visions of the state as a maternal entity in mid-twentieth century Britain. Demonstrating the affinities between welfarism, maternalism, and psychoanalysis, Shaul Bar-Haim suggests a new reading of the British welfare state as a political project.

After the First World War, British doctors, social thinkers, educators, and policy makers became increasingly interested in the contemporary turn being made in psychoanalytic theory toward the role of motherhood in child development. These public figures used new notions of the "maternal" to criticize modern European culture, and especially its patriarchal domestic structure. This strand of thought was pioneered by figures who were well placed to disseminate their ideas into the higher echelons of British culture, education, and medical care. Figures such as the anthropologists Bronislaw Malinowski and Geza Róheim, and the psychiatrist Ian Suttie—to mention only a few of the "maternalists" discussed in the book—used psychoanalytic vocabulary to promote both imagined perceptions of motherhood and their idea of the "real" essence of the "maternal." In the 1930s, as European fascism took hold, the "maternal" became a cultural discourse of both collective social anxieties and fantasies, as well as a central concept in many strands of radical, and even utopian, political thinking. During the Second World War, and even more so in the postwar era, psychoanalysts such as D. W. Winnicott and Michael Balint responded to the horrors of the war by drawing on interwar maternalistic thought, making a demand to "maternalize" British society, and providing postwar Britain with a new political idiom for defining the welfare state as a project of collective care.
--Marshal Zeringue