"The Bad Poor"

New from LSU Press: The Bad Poor: Race, Class, and the Rise of Grit Lit by Mitch Ploskonka.

About the book, from the publisher:

The Bad Poor examines the rise of Grit Lit, a movement in contemporary southern literature written by and about poor southern whites. Examining issues of genre, race, and culture, Mitch Ploskonka traces the emergence of this iconoclastic mode through its major authors to reveal a literary-cultural identity rooted in difference, marked by resistance to respectability and class performance, and shaped by reckoning with the legacies of whiteness and regional memory.

For those long dismissed as “white trash” and denied an active voice in their own representation, Grit Lit confronts the parallel concerns of finding a way to describe themselves and the means to communicate it appropriately. Beginning with Harry Crews and progressing chronologically to the present—including discussions of key works by Larry Brown, Dorothy Allison, Rick Bragg, and Tom Franklin, among others—Ploskonka examines how Grit Lit authors forge self-representations by experimenting with genres and engaging with identity politics. Through the ongoing search for a usable, unshameful identity, Grit Lit enacts a painful but heartening narrative of grappling with the realities of people and place by acknowledging difference.

As stories about the gritty or rough South proliferate across media, The Bad Poor relates an important story of literary self-fashioning by analyzing a body of literature that speaks to larger cultural discourses regarding racial identity, social justice, disability, and class divisions.

--Marshal Zeringue

"Sing Down the Moon"

New from Mercer University Press: Sing Down the Moon by Robert Gwaltney.

About the novel, from the publisher:

Sixteen-year-old Leontyne Skye yearns to escape Good Hope, the remote Georgia coastal barrier island where she resides. Leontyne's heritage is bleak. Tasked with tending Damascus, an ancient fig tree beguiling haints across the river with its wind chime song, Leontyne's mother, Eulalee, disintegrates into tufts of hair, teeth, and memory. This affliction befalls all Skye women, a fatal consequence of distilling Redemption, an addictive drug made from the figs of Damascus imbued with the essence of haints. Leontyne also tumbles apart, her memories and hand lost in a life-altering accident suffered two years back during an event known as Tribulation Day. Through unreliable recollections of her trusted friends the Longwood twins, Leontyne stitches a dubious understanding of who she was before she fell "the long-long ways." In the aftermath of Eulalee's death, Leontyne is pressured by the Longwoods to render Redemption, continuing the legacy upon which Good Hope depends.

Visit Robert Gwaltney's website.

--Marshal Zeringue

"Figures of Crisis"

New from Yale University Press: Figures of Crisis: Alberto Giacometti and the Myths of Nationalism by Joanna Fiduccia.

About the book, from the publisher:

A major reevaluation of a towering figure in twentieth-century art and the relationship of his sculpture to the crisis of nationalism in modern Europe

In 1935, Swiss artist Alberto Giacometti (1901–1966) abruptly abandoned his surrealist experiments and devoted himself to sculpting portrait busts and minuscule figurines, many no larger than a fingernail. Joanna Fiduccia traces the origins and progression of Giacometti’s notorious artistic crisis, revealing its connection to a broader crisis of national identity in modern Europe. In this decade-long interval, the central features of his artworks—their turbulent surfaces, unsettling generality, severely reduced scale, and compulsive repetition—gave form to the experience of social breakdown and war, even as they laid the groundwork for his iconic postwar sculpture. Pursuing a concept of crisis as both an irreducible encounter with uncertainty and the clarification of a conflict, Fiduccia reimagines this fragmentary and inconspicuous body of work as the pivotal phase in the artist’s career as well as a vital episode in the history of modern sculpture. This fresh account, told through the philosophical, political, and aesthetic thought of Giacometti’s time, shows how ideologies of nationalism helped generate the problems of selfhood at the heart of modernism.

Visit Joanna Fiduccia's website.

--Marshal Zeringue

"Morsel"

New from Tor Nightfire: Morsel by Carter Keane.

About the novella, from the publisher:

Carter Keane's Morsel is a delicious folk horror debut about learning to bite back when the world is determined to eat you alive.

Lou did what the children of parents with backbreaking, poorly paying jobs are supposed to do: pulled up her bootstraps, went to college, and got an office gig with coworkers who won’t stop talking about their multilevel marketing scheme disguised as self-betterment.

When Lou accepts a property appraisal assignment in the rural hills of Ohio, she knows it's her last chance to save her job and keep making rent. But she quickly finds herself stranded in the middle of nowhere with a sabotaged truck, her dog, and someone--or something--stalking her through the ancient Appalachian woods.

If she can’t escape the woods in time, she’ll see firsthand that her job isn’t the only thing that wants to eat her alive.

Morsel is The Blair Witch Project meets The Ritual, with a generous helping of The Menu, perfect for fans of T. Kingfisher, Cassandra Khaw, and Paul Tremblay.

Visit Carter Keane's website.

--Marshal Zeringue

"Powered by Smart"

New from NYU Press: Powered by Smart: A Prehistory of Everyday AI by Sarah Murray.

About the book, from the publisher:

A critical feminist history of the techno-cultural evolutions that make AI possible

Powered by Smart traces the techno-cultural evolutions that made artificial intelligence feel more familiar than futuristic. From wearables and streaming platforms to home voice assistants and AI toasters, smart is an inescapable feature of postdigital life. Today, thousands of products and platforms define smart as routine automation and friendly digital kinship. Yet smartness was not always so digital. Sarah Murray uncovers the century-long process through which smart became synonymous with seamless interaction between bodies and machines, showing how this intimate interfacing helped to normalize today’s algorithmic world.

Offering a critical, feminist prehistory of everyday AI, Powered by Smart reveals how the pursuit of convenience, comfort, and efficiency has long been a gendered campaign. Smartness has often been associated with women ― from early switchboard operators and industrial designer Lillian Gilbreth’s test kitchens to Jane Fonda’s Jazzercise empire and Disney’s computer-housewife PAT in Smart House. These moments illuminate how machine intelligence has already been made ordinary, and how the smart ideal was built over time through domesticity, discipline, and desirability.

Moving across factory floors, suburban kitchens, exercise trends, and digital homes, Murray shows how twentieth-century innovations in wearability, solutionism, and recognition laid the groundwork for our contemporary tolerance of ― and attachment to ― AI. Far from a sudden technological revolution, everyday AI emerged through decades of cultural conditioning of smart life as a caring, attentive endeavor that cast human–machine harmony as both natural and necessary. Powered by Smart reframes artificial intelligence not as the next frontier of progress, but as the logical extension of a much older dream of efficiency made ordinary and personal.

--Marshal Zeringue

"Stay for a Spell"

New from Ace: Stay for a Spell by Amy Coombe.

About the novel, from the publisher:

A cursed princess must discover what her heart truly longs for in this charmingly cozy romantic fantasy for everyone who’s ever lost – or found – themselves in a bookshop.

Princess Tanadelle of the Widdenmar is disillusioned with life as a princess. She longs for real conversation, the chance to build a life of her own making, and uninterrupted reading time.

During a routine royal visit to the town of Little Pepperidge, Tandy’s dream comes true when she finds herself cursed to remain in a run-down bookshop until she unlocks her heart’s desire. Certain that someone will figure out how to break the curse eventually, and delighted by the prospect of an entire bookstore of her own, Tandy settles into life among the stacks. She finds it easy to exchange balls and endless state dinners for teetering piles of books and an irritatingly handsome pirate who seems bent on stealing her stock.

She even starts to believe she's stumbled into her very own happily ever after.

There's just one, minor problem: as Tandy's royal duties go unfulfilled, her frantic parents start sending princes to woo her, each one of them certain their kiss will break the curse. After all, what more could a princess want but a prince?

Visit Amy Coombe's website.

--Marshal Zeringue

"This Vast Enterprise"

New from Avid Reader Press / Simon & Schuster: This Vast Enterprise: A New History of Lewis & Clark by Craig Fehrman.

About the book, from the publisher:

A major revisionist history of the Lewis and Clark expedition: For the first time in a generation, This Vast Enterprise offers a fresh and more accurate account of one of the most important episodes in American history, humanizing forgotten figures and shattering long-held myths.

In 1806, when Meriwether Lewis and William Clark return from their journey—having led the Corps of Discovery across eight thousand miles of rapids, mountains, forests, and ravines—they bring an incredible tale starring themselves as courageous explorers, skilled survivalists, underrated scientists, and peaceful ambassadors. While there is truth in those descriptions, there is also distortion.

From one of the most exciting new historians to emerge in the past decade, This Vast Enterprise offers a novel take on the expedition: a gripping narrative that draws on lost documents, stunning analysis, and Native perspectives. Craig Fehrman spent five years visiting more than thirty archives, interviewing more than a hundred sources, and collecting oral history passed down over centuries. He came to see that the success of Lewis and Clark depended on much more than just Lewis and Clark. We all know Sacajawea, and some of us know York, the Black man Clark enslaved. But here we meet John Ordway, a working-class soldier who fought grizzlies and towed the captains’ hulking barge. We hear from Wolf Calf, a Blackfoot teenager who watched his friend die in a battle with Lewis and his men.

Each chapter moves to a different person’s point of view, describing their desires and contradictions. We see Thomas Jefferson operating in an age of bitter partisan unrest—his secret political maneuvers to fund the expedition, revealed here for the first time, are a case study in presidential power. We witness the strategy and strength of Black Buffalo, completely upending our understanding of Lakota-American diplomacy. York, in his chapters, finds ways to wield power and make choices in an era that didn’t allow him much of either. Clark is not a folksy Kentuckian but a student of the Enlightenment. (Fehrman discovered his college notebook; no previous biographer even realized that he went to college.) Lewis is someone willing to sacrifice everything for his country and his mentor, Jefferson.

In the end, the captains are men who needed help—from Sacajawea, from the Corps, and from each other. Mile after mile, the expedition pushes on through hailstorms and flash floods, frostbite and infections, rattlesnakes and rabid wolves, with the Spanish cavalry in fierce pursuit. Fehrman balances the story’s adventure with the humanity of its protagonists. The result is a thrilling reminder that even the most familiar moments in history can still surprise us.

Visit Craig Fehrman's website.

--Marshal Zeringue

"The Left and the Lucky"

New from Harper: The Left and the Lucky: A Novel by Willy Vlautin.

About the book, from the publisher:

The acclaimed Willy Vlautin returns with a heartbreaking and tender novel about two young brothers, the vicissitudes of fate, and unexpected connection—a beautiful and bittersweet portrait that illuminates the power of friendship and how it can save lives in multiple ways.

Eddie Wilkens is a workaholic house painter in his early forties. His wife has left him to her regret, and his main employee, Houston, is a loafer and scoundrel who barely shows up for work. Unassuming and self-reliant, Eddie is thoughtful man who rarely gets angry, despite life's frequent provocations, but he is ruled by a guilt that he has carried for nearly twenty years.

Next door, a woman and her two sons move in with her frail and aging mother. The youngest boy, Russell, eight-years-old, is quiet and small for his age and lives in constant terror of his increasingly lost and troubled fifteen-year-old brother, Curtis. As their mother struggles to keep the family together and the grandmother’s health begins to faulter they find themselves unable to protect Russell and themselves from Curtis’s cruelty, which threatens to explode in frenetic violence.

Though neither knows it, Russell and Eddie will become each other’s saving grace.

While Russell’s home life disintegrates he begins waiting in Eddie’s backyard for him to get off work. Eddie offers the boy small acts of kindness: he feeds him, gives him jobs to do, listens to his dreams of escape, and offers Russell a glimpse into a world of hope and humor. A world of misfit painters, a derelict muscle car, an old dog, and the comradery and companionship of Eddie and his crew. In return, Russell gives Eddie a reason to carry on and helps him lay to rest the guilt that has plagued him for half of his life.

Together, this makeshift father and son begin to build better life, daring to trade the bleakness and cynicism around them for hope and friendship.

From a writer revered for his thoughtful and compassionate portrayal of realistic American life, The Left and the Lucky is a heartbreakingly honest examination of how circumstance shapes our lives, and how the luck of finding someone who needs us can transcend bitter loneliness and prevent us from giving up on dreaming of a better life.

Visit Willy Vlautin's website.

Writers Read: Willy Vlautin.

--Marshal Zeringue

"Blue Power"

New from Basic Books: Blue Power: How Police Organized to Protect and Serve Themselves by Stuart Schrader.

About the book, from the publisher:

A history of police unions that reveals how American law enforcement built a political movement that made cops untouchable.

In America today, police enjoy unmatched power. On the streets, officers employ violence at their own discretion. Behind closed doors, they are even more powerful. In city halls, police strong-arm local leaders and nullify attempts at public oversight. And in state legislatures and Washington, DC, police lobbyists and union leaders zealously uphold a bipartisan consensus against even mild reform. Yet as recently as fifty years ago, police still served at the pleasure of democratically elected politicians, not the other way around. In Blue Power, Stuart Schrader narrates the rise of a bottom-up movement of rank-and-file officers who lifted policing above the law.

Organizers launched their campaign in the 1960s, courting a public backlash to urban uprisings and civil rights. City by city, county by county, they formed unions and other organizations and won control over working conditions, impunity from oversight, and insulation from lean budgets. By the 2000s, this movement had triumphed nationally, shoring up the power of the police to overrule the public interest in the name of law and order.

Through deep archival detective work, Blue Power reveals how police forced American democracy to back the blue.

Visit Stuart Schrader's website.

The Page 99 Test: Badges without Borders.

--Marshal Zeringue

"Kill Dick"

New from Red Hen Press: Kill Dick: A Novel by Luke Goebel.

About the novel, from the publisher:

A fever dream, Kill Dick is a literary thriller that plunges into the chaos of Los Angeles, where addiction, privilege, and corruption combust.

At nineteen, Susie Vogelman should be coasting: she’s an NYU dropout with no responsibilities, endless prescription pills, and a Brentwood estate to waste away in. But Los Angeles has other plans. A string of brutal murders targeting addicts spreads through the city, and Susie’s ivory tower begins to crumble. The headlines point too close to home: her father’s ties to an opioid empire, a sinister secret society, and her own complicity in the systems holding it all together.

Then there’s Peter Holiday, a disgraced professor running a rehab scam so audacious it’s almost admirable. When their lives collide, Susie and Peter are dragged into a web of privilege, corruption, and violence, where every escape leads deeper into the rot.

Dark, satirical, and razor—sharp, Kill Dick is a modern literary thriller that unflinchingly dissects wealth, exploitation, and the perilous line between survival and self—destruction.

Visit Luke Goebel's website.

--Marshal Zeringue