"Death Under a Little Sky"

Coming January 9 2024 from Harper Paperbacks: Death Under a Little Sky: A Novel by Stig Abell.

About the book, from the publisher:

In this widely praised debut crime thriller, a high-flying detective leaves London for a fresh start in the countryside—only to find himself on familiar ground hunting for a dangerous killer.

When Jake Jackson inherits his reclusive uncle’s property in the country, the detective seizes the opportunity for a new life away from the hustle of London.

The new home in this charming rural idyll is beautiful and the surroundings are stunning. While the locals are a bit eccentric, they’re also friendly and invite the newcomer to join their annual treasure hunt.

When a young woman’s bones are discovered, Jake finds himself pulled back into the role of detective, and on the trail of a dangerous killer hiding within this most unlikely of settings.

Follow Stig Abell on Instgram and Threads.

--Marshal Zeringue

"The Republican Hero"

New from State University of New York Press: The Republican Hero: From Homer to Batman by Michael Lusztig.

About the book, from the publisher:

Politically speaking, do heroes matter? Are we living in a post-heroic age? The Republican Hero addresses both these questions. The general tenor of modern thinking is that heroes do matter but that the modern age is characterized by a narrowing of moral horizons once illuminated by heroes, secular and spiritual. Michael Lusztig argues that the modern world is not post-heroic. He makes the case that the modern age is the most heroic age, if measured in terms of the Aristotelian currency of balance and completeness. To this end, he identifies four main hero-types—the epic, magnanimous, Romantic, and common. Each can rightfully be called a republican hero: each contributes to the promotion or protection or provision of republican values. Each exemplifies the heroic virtues of their age. However, taken conjunctively, each contributes to what Lusztig conceives as the complete republican hero of the modern age.

--Marshal Zeringue

"The Counting House"

Coming soon from the University of New Orleans Press: The Counting House by Gary Sernovitz.

About the book, from the publisher:

The Chief Investment Officer of a prestigious university sits at the center of modern finance: hundreds of hedge funds, venture capitalists, stock pickers, bond traders, and private equity managers visit him every year, asking for money. He helms the engine room of the modern academy: the six-billion-dollar endowment he presides over allows the school to compete for students, faculty, prestige, moral purpose—and solvency. The CIO is a winner in bourgeois America's highest dream: "doing well by doing good."

And then all that he thinks he understands—about investing, about his own talents, about every choice and non-choice that brought his life to where it is—begins to fall apart. At first, slowly, amid endless fascinating conversations with his staff, his wildly talented (and sometimes hilarious) trustees, and the motley money managers that march through his office. And then quickly, in an epic showdown with a reclusive, legendary hedge fund manager, his university's richest and most stingy billionaire alumnus.

With its wry appreciation for the absurd, The Counting House lays claim to the title of funniest novel about American business. Underneath the humor, however, is an unprecedented, necessary story of the inner life of investing: a story that reveals how the workings of our daily lives rest upon the market's unforgiving truths.

Visit Gary Sernovitz's website.

--Marshal Zeringue

"The Antechamber"

New from Stanford University Press: The Antechamber: Toward a History of Waiting by Helmut Puff.

About the book, from the publisher:

Helmut Puff invites readers to visit societies and spaces of the past through the lens of a particular temporal modality: waiting. From literature, memoirs, manuals, chronicles, visuals, and other documents, Puff presents a history of waiting anchored in antechambers—interior rooms designated and designed for people to linger. In early modern continental Western Europe, antechambers became standard in the residences of the elites. As a time-space infrastructure these rooms shaped encounters between unequals. By imposing spatial distance and temporal delays, antechambers constituted authority, rank, and power. Puff explores both the logic and the experience of waiting in such formative spaces, showing that time divides as much as it unites, and that far from what people have said about early moderns, they approached living in time with apprehensiveness. Unlike how contemporary society primarily views the temporal dimension, to early modern Europeans time was not an objective force external to the self but something that was tied to acting in time. Divided only by walls and doors, waiters sought out occasions to improve their lot. At other times, they disrupted the scripts accorded them. Situated at the intersection of history, literature, and the history of art and architecture, this wide-ranging study demonstrates that waiting has a history that has much to tell us about social and power relations in the past and present.

--Marshal Zeringue

"The Rosewood Hunt"

New from HarperTeen: The Rosewood Hunt: by Mackenzie Reed.

About the book, from the publisher:

Irresistible intrigue, captivating suspense, a swoony friends-to-rivals-to-lovers romance, and heartbreaking betrayal drive this thrilling debut novel that is perfect for fans of The Inheritance Games and Knives Out.

Lily Rosewood has lived with her grandmother since her dad’s death a year ago. She and Gram have always been close—Gram’s role as chair of their family’s luxury coat business has inspired Lily’s love of fashion, and Lily hopes to follow in Gram’s footsteps one day.

Then Gram dies suddenly, and Lily’s world is upended. Gram’s quarter of a billion dollar fortune is missing, and Lily has been banned from the manor she and Gram shared.

But Gram has always loved games, and even in death, she still has a few tricks up her couture sleeve. When Lily and three other seemingly random teens get letters from Gram sending them on a treasure hunt around Rosetown, they hope the fortune will be the reward. But they’re not the only ones hunting for Gram’s treasure, and soon the hunt becomes more dangerous than they ever could have imagined.

Visit Mackenzie Reed's website.

--Marshal Zeringue

"Pregnancy in the Victorian Novel"

New from Ohio State University Press: Pregnancy in the Victorian Novel by Livia Arndal Woods.

About the book, from the publisher:

In Pregnancy in the Victorian Novel—the first book-length study of the topic—Livia Arndal Woods traces the connections between literary treatments of pregnancy and the medicalization of pregnancy and childbirth occurring over the long nineteenth century. Woods uses the problem of pregnancy in the Victorian novel (in which pregnancy is treated modestly as a rule and only rarely as an embodied experience) to advocate for “somatic reading,” a practice attuned to impressions of the body on the page and in our own messy lived experiences.

Examining works by Emily Brontë, Charlotte Mary Yonge, Anthony Trollope, George Eliot, Thomas Hardy and others, Woods considers instances of pregnancy that are tied to representations of immodesty, poverty, and medical diagnosis. These representations, Woods argues, should be understood in the arc of Anglo-American modernity and its aftershocks, connecting backward to early modern witch trials and forward to the criminalization of women for pregnancy outcomes in twenty-first-century America. Ultimately, she makes the case that by clearing space for the personal and anecdotal in scholarship, somatic reading helps us analyze with uncertainty rather than against it and allows for richer and more relevant textual interpretation.

--Marshal Zeringue

"The Berry Pickers"

New from Catapult: The Berry Pickers by Amanda Peters.

About the book, from the publisher:

A four-year-old Mi’kmaq girl goes missing from the blueberry fields of Maine, sparking a mystery that will haunt the survivors, unravel a family, and remain unsolved for nearly fifty years

July 1962. A Mi’kmaq family from Nova Scotia arrives in Maine to pick blueberries for the summer. Weeks later, four-year-old Ruthie, the family’s youngest child, vanishes. She is last seen by her six-year-old brother, Joe, sitting on a favorite rock at the edge of a berry field. Joe will remain distraught by his sister’s disappearance for years to come.

In Maine, a young girl named Norma grows up as the only child of an affluent family. Her father is emotionally distant, her mother frustratingly overprotective. Norma is often troubled by recurring dreams and visions that seem more like memories than imagination. As she grows older, Norma slowly comes to realize there is something her parents aren’t telling her. Unwilling to abandon her intuition, she will spend decades trying to uncover this family secret.

For readers of The Vanishing Half and Woman of Light, this showstopping debut by a vibrant new voice in fiction is a riveting novel about the search for truth, the shadow of trauma, and the persistence of love across time.

Visit Amanda Peters's website.

--Marshal Zeringue

"Sensationalism and the Jew in Antebellum American Literature"

New from Oxford University Press: Sensationalism and the Jew in Antebellum American Literature by David Anthony.

About the book, from the publisher:

This book examines the charged but mostly overlooked presence of the sensational Jew in antebellum literature. This stereotyped character appears primarily in the pulpy sensation fiction of popular writers like George Lippard, Ned Buntline, Emerson Bennett, and others. But this figure also plays an important role in the sometimes sensational work of canonical writers such as Nathaniel Hawthorne, Edgar Allan Poe, and Walt Whitman. Whatever the medium, this character, always overdetermined, does consistent cultural work. This book contends that, as the figure who embodies money and capitalism in the antebellum imagination, the sensational Jew is the character who most fully represents a felt anxiety about the increasingly unstable nature of a range of social categories in the antebellum US, and the sense of loss and self-hatred so often lurking in the background of modern Gentile identity. Each chapter examines a different form of sensationalism (urban gothic; sentimental city mysteries; anti-Tom plantation narratives; etc.), and a different set of anxieties (threats to class status; collapsing regional identity; the uncertain status of Whiteness and other racial categories; etc.). Throughout, the sensational Jew acts both as a figure of proteophobia (fear of disorder and ambivalence), and as the figure who embodies in uncanny form a more fulfilling and socially coherent form of identity that predates the modern liberal selfhood of the post-Enlightenment world. The sensational Jew is therefore a revealing figure in antebellum culture, as well as an important antecedent to contemporary antisemitism in the US.

--Marshal Zeringue

"The Village Healer's Book of Cures"

New from Lake Union: The Village Healer's Book of Cures by Jennifer Sherman Roberts.

About the book, from the publisher:

In seventeenth-century England, a female healer enflames the fury of a witchfinder in this propulsive novel about murder, revenge, and the dangerous power of knowledge.

Mary Fawcett refines the healing recipes she’s inherited from generations of women before her―an uncanny and moral calling to empathize with the sick. When witchfinder Matthew Hopkins arrives in her small village, stoking the fires of hate, he sees not healing but the devil at work. Mary’s benevolent skills have now cast her and her young brother under suspicion of witchery.

Soon, the husband of one of Mary’s patients is found murdered, his body carved with strange symbols. For Hopkins, it’s further evidence of dark arts. When the whispering village turns against her, Mary dares to trust a stranger: an enigmatic alchemist, scarred body and soul, who knows the dead man’s secrets.

As Hopkins’s fervor escalates, Mary must outsmart the devil himself to save her life and the lives of those she loves. Unfolding the true potential of her gifts could make Mary a more empowered adversary than a witchfinder ever feared.

Visit Jennifer Sherman Roberts's website.

--Marshal Zeringue

"Writing Violence"

New from Columbia University Press: Writing Violence: The Politics of Form in Early Modern Japanese Literature by David C. Atherton.

About the book, from the publisher:

Edo-period Japan was a golden age for commercial literature. A host of new narrative genres cast their gaze across the social landscape, probed the realms of history and the fantastic, and breathed new life into literary tradition. But how to understand the politics of this body of literature remains contested, in part because the defining characteristics of much early modern fiction—formulaicness, reuse of narratives, stock characters, linguistic and intertextual play, and heavy allusion to literary canon—can seem to hold social and political realities at arm’s length.

David C. Atherton offers a new approach to understanding the relationship between the challenging formal features of early modern popular literature and the world beyond its pages. Focusing on depictions of violence—one of the most fraught topics for a peaceful polity ruled over by warriors—he connects concepts of form and formalization across the aesthetic and social spheres. Atherton shows how the formal features of early modern literature had the potential to alter the perception of time and space, make social and economic forces visible, defamiliarize conventions, give voice to the socially peripheral, and reshape the contours of community. Through careful readings of works by the major writers Asai Ryōi, Ihara Saikaku, Chikamatsu Monzaemon, Ueda Akinari, and Santō Kyōden, Writing Violence reveals the essential role of literary form in constructing the world—and in seeing it anew.

--Marshal Zeringue