"The Tavern at the End of History"

New from Dzanc Books: The Tavern at the End of History by Morris Collins.

About the novel, from the publisher:

Over a span of five days in 2017, two strangers find themselves in a sea—rocked sanitarium on the coast of Maine where, as they gather at an auction for a piece of art stolen in the Second World War, they must reckon with the wounds of inheritance: shame, displacement, and the longing of exiles.

Jacob, grandson of a Holocaust survivor, son of refugees, has lived his life overshadowed by the grief of others. His mistakes have cost him his job and his marriage. So when he meets Baer, an impoverished Holocaust survivor looking for help, Jacob sees an opportunity to redeem himself.

But what Baer wants won’t be easy. A piece of art given to him as a boy—and that disappeared during the war—has resurfaced and is about to go up for auction in a secluded sanitarium for Holocaust survivors and their families on an island off the coast of Maine. The head of the sanitarium is Alex Baruch, a disgraced writer and Kabbalist whose memoir about surviving the Holocaust has been denounced as fraudulent. Baer asks Jacob to go to the auction with his niece, Rachel, and steal back the piece.

Rachel carries grief of her own. She’s mourning her husband, a young Jew trying to separate himself from his ultra—orthodox community, and instead of living the artist's life she dreamed, she’s working in a museum basement answering questions on the phone about paintings she can’t see. Grieving and guilty, she’s eager for an impossible quest.

Together, Rachel and Jacob head to the sanitarium, where they find Baruch and his community of odd and broken souls. But two nights before the auction, in the midst of a storm, a stranger appears—an old man, a ghost or a dybbuk, or just a survivor of the European catastrophe—bearing a secret. As the line between forgery and authenticity blurs, Rachel and Jacob, Baruch and his followers must face the claims the dead make on the living, in a surreal reckoning with the past where no one is who they say they are, but everyone may be telling the truth.

Recalling the warmth and humor of Nicole Krauss and Joshua Cohen, and the wild collage of history and fantasy of Bruno Schulz and Olga Tokarczuk, The Tavern at the End of History is a deeply felt exploration of grief, love, and identity in the long shadow of twentieth—century calamity.

Visit Morris Collins's website.

--Marshal Zeringue

"The Sealed Envelope"

New from Yale University Press: The Sealed Envelope: Toward an Intelligent Utopia by George Scialabba.

About the book, from the publisher:

An award-winning author argues for the necessity of cultural critics and intellectuals to American democracy

This incisive collection of essays investigates the moral imagination of modernism and our intellectual and political inheritance. George Scialabba offers a series of portraits of, and arguments with, American and European thinkers of the past hundred years, ranging from conservatives such as John Gray, William Buckley, and Jonathan Haidt to radicals such as Dwight Macdonald, Christopher Hitchens, and Bill McKibben.

In our moment of democracy under siege, with intellectual work popularly derided as only for “elites,” Scialabba champions such thinkers as Richard Rorty, Barbara Ehrenreich, and Christopher Lasch, with their emphasis on democratic political culture and their faith in the capacities of ordinary people and the importance of intellectual work. This collection passes on these values “in a sealed envelope,” as Rilke says of love between selfish lovers, for future generations to use in crafting their own “intelligent utopia.”

Visit George Scialabba's website.

--Marshal Zeringue

"The Better Mother"

New from Crooked Lane Books: The Better Mother: A Thriller by Jennifer van der Kleut.

About the novel, from the publisher:

A woman ends up pregnant after a casual fling, but the father's girlfriend has much more sinister intentions in this plot-driven suspense debut.

A modern spin on Fatal Attraction meets The Hand that Rocks the Cradle, perfect for fans of The Last Mrs. Parrish.

Still recovering from a devastating breakup, 34-year-old Savannah Mitchell has finally managed to put her life back together when she gets the shock of her life—after a brief fling with a man named Max, she is pregnant.

When she gets in touch to tell him, he reveals that he’s just gotten back together with his ex, Madison, and he will need time to break it to her. Surprisingly, Madison isn’t upset—in fact, she’s excited, and wants to help.

Max insists Madison has the best of intentions, but Savannah finds her efforts—popping by uninvited, demanding lifestyle changes, and pretty much trying to take over the pregnancy—anything but helpful. When Savannah finally stands up for herself, Madison’s treatment of her goes from casually cruel to downright dangerous.

All Savannah wanted to do was form a friendly co-parenting relationship with the father of her child—but his new girlfriend obviously has much more sinister plans in mind.

She has no plans to co-parent at all.

Visit Jennifer van der Kleut's website.

--Marshal Zeringue

"Black Power, Inc."

New from the University of Pennsylvania Press: Black Power, Inc.: Corporate America and the Rise of Multinational Empowerment Politics by Jessica Ann Levy.

About the book, from the publisher:

Traces the rise of Black empowerment politics in the United States and Africa

On a cold January day in 1964, civil rights minister turned entrepreneur Rev. Leon Howard Sullivan declared to a group of supporters gathered to witness the launch of Sullivan’s latest venture, Opportunities Industrialization Centers, Inc., “The day has come when we must do more than protest―we must now also PREPARE and PRODUCE!” Occasionally linked with the movement for Black Power, Sullivan and others, including Coca-Cola vice president Carl Ware and Atlanta mayor Andrew Young, were in fact architects of Black empowerment―an intellectual and political movement that championed private enterprise as the key to Black people’s prosperity.

Jessica Ann Levy traces Black empowerment’s rise in American politics―from early twentieth-century influences including Booker T. Washington and Marcus Garvey to the cities of postwar America into corporate boardrooms and government offices―and across the Atlantic Ocean to Africa. Civil rights leaders, Black entrepreneurs, white corporate executives, and government officials all championed Black empowerment as a means to address multiple crises in US cities and to blunt some of the more radical aspects of the Black Power movement. Black empowerment politics likewise found application overseas in various Cold War efforts to promote American-style free enterprise in Africa. This was especially the case in South Africa, where US corporate executives and government officials wielded Black empowerment politics to oppose apartheid and divestment.

By the early twenty-first century, the idea that private enterprise, including small-scale entrepreneurs and large multinational corporations, should play a leading role in combating racial inequality and empowering Black and other marginalized people featured prominently in various policies and programs at the local, national, and international level. By tracing Black empowerment politics’ evolution, Black Power, Inc. explains its popularity, championed by leaders from Bill Clinton to Nelson Mandela, while also revealing its role in expanding US corporate power, locally and globally.

Visit Jessica Ann Levy's website.

--Marshal Zeringue

"The Renovation"

New from Farrar, Straus and Giroux: The Renovation: A Novel by Kenan Orhan.

About the book, from the publisher:

A woman discovers that her bathroom has been remodeled into a prison cell—where she is an unlikely inmate—in this surreal novel of exile, grief, memory, and migration.

In Salerno, Italy, Dilara spends her days caring for her aging father and her hypochondriac husband. Since leaving her native Istanbul, she’s been unable to find a job—adrift, she becomes increasingly fixated on domestic improvement, specifically on the renovation of a second bathroom. When the work is completed, she enters and finds herself not in a bathroom but in a prison cell, and a Turkish one at that.

As she tries and fails to conceal the unfortunate discovery from her husband, she confronts the prison’s other inhabitants—the buffoonish guards who refuse to believe her conundrum; the other women who begin filling the cells beyond hers—and the strange things that drift through it: the smell of the Bosporus, her mother’s voice, calls to prayer...

Has she gone mad? Is she the victim of a terrible prank? Is it a portal, a dream, a simulation? As she burrows deeper into her cell, her life beyond it begins to fall apart—her husband disappears, her father’s grip on reality loosens, political dictatorship threatens to destroy everything worth keeping.

In his slender, disquieting first novel, Kenan Orhan tells a story of modern migration like no other. The Renovation is a tragic comedy of displacement, a story that remodels its own form to the dazzling inevitable end.

Visit Kenan Orhan's website.

--Marshal Zeringue

"City Lights"

New from the University of Nevada Press: City Lights: Lawrence Ferlinghetti and the Biography of a Bookstore by Gioia Woods.

About the book, from the publisher:

On a San Francisco street corner in 1953, aspiring painter and poet Lawrence Ferlinghetti shook hands with sociology instructor and magazine editor Peter Martin. Their handshake sealed Ferlinghetti’s five-hundred-dollar investment in a small retail space above a North Beach flower shop that would become City Lights Bookstore and Press. Since the mid-twentieth century, the bookstore and its press have continued to shape the way literature is produced and consumed. As the first-ever all-paperback bookstore in the nation, sponsor of the Beat Movement and the San Francisco Renaissance, home of the Pocket Poets series, torchbearer for free speech movements, and promoter of global comparative literature and human rights, City Lights has continuously been at the avant-garde of literary experimentation and cultural revolution.

City Lights: Lawrence Ferlinghetti and the Biography of a Bookstore is the seminal story of the bookstore, its press, and the inimitable Ferlinghetti.

--Marshal Zeringue

"The Fourth Princess"

New from William Morrow: The Fourth Princess: A Gothic Novel of Old Shanghai by Janie Chang.

About the book, from the publisher:

From the internationally bestselling author of The Porcelain Moon comes a haunting Gothic novel set in 1911 China. Two young women living in a crumbling, once-grand Shanghai mansion face danger as secrets of their pasts come to light, even as the mansion’s own secret threatens the present.

Shanghai, 1911. Lisan Liu is elated when she is hired as secretary to wealthy American Caroline Stanton, the new mistress of Lennox Manor on the outskirts of Shanghai’s International Settlement. However, the Manor has a dark past due to a previous owner’s suicide, and soon Lisan’s childhood nightmares resurface with more intensity and meld with haunted visions of a woman in red. Adding to her unease is the young gardener, Yao, who both entices and disturbs her.

Newly married Caroline looks forward to life in China with her husband, Thomas, away from the shadows of another earlier tragedy. But an unwelcome guest, Andrew Grey, attends her party and claims to know secrets she can’t afford to have exposed. At the same party, the notorious princess Masako Kyo approaches Lisan with questions about the young woman’s family that the orphaned Lisan can’t answer.

As Caroline struggles with Grey’s extortion and Thomas’s mysterious illness, Lisan’s future is upended when she learns the truth about her past, and why her identity has been hidden all these years. All the while, strange incidents accelerate, driving Lisan to doubt her sanity as Lennox Manor seems unwilling to release her until she fulfills demands from beyond the grave.

Visit Janie Chang's website.

The Page 69 Test: Three Souls.

Writers Read: Janie Chang (February 2017).

--Marshal Zeringue

"Stealing from the Gods"

New from the University of Michigan Press: Stealing from the Gods: Temple Robbery in the Roman Imagination by Isabel K. Köster.

About the book, from the publisher:

Stealing from the Gods investigates how authors writing between the first century BCE and second century CE addressed the issue of temple robbery or sacrilegium. As a self-proclaimed empire of pious people, the Romans viewed temple robbery as deeply un-Roman and among the worst of offenses. On the other hand, given the constant financial pressures of warfare and administration, it was inevitable that the Romans would make use of the riches stored in sanctuaries. In order to resolve this dilemma, the Romans distinguished sharply between acceptable and unacceptable removals of sacred property. When those who conducted themselves as proper Romans plundered the property of the gods, their actions were for the good of the state. In contrast, the temple robber was viewed as a stranger to the norms of Roman society and an enemy of the state.

Ancient authors including Cicero, Caesar, Livy, Appian, and Pausanias present isolated, grotesque individuals whose actions have no bearing on the conduct of Romans as a whole, rendering temple robbery not a matter of collective responsibility, but of individual moral failure. By revealing how narratives of temple robbery are constructed from a literary perspective and how they inform discourses about military conquest and imperial rule, Isabel K. Köster shines a new light on how the Romans coped with the more pernicious aspects of their empire.

--Marshal Zeringue

"Dead First"

New from G.P. Putnam’s Sons: Dead First by Johnny Compton.

About the book, from the publisher:

From the Bram Stoker award-nominated author of The Spite House comes a bone-chilling new novel about a private investigator hired by a mysterious billionaire to discover why he can’t die.

When private investigator Shyla Sinclair is invited to the looming mansion of eccentric billionaire Saxton Braith, she’s more than a little suspicious. The last thing she expects to see that night is Braith’s assistant driving an iron rod straight through the back of his skull. Scratch that—the last thing she expects to see is Braith’s resurrection afterward.

Braith can’t die, it turns out, but he has no explanation for his immortality, and very few intact memories of his past. Which is why he wants to pay Shyla millions to investigate him, and bring his long-buried history to light.

Shyla can’t help but be intrigued, but she’s also trapped by the offer. Braith has made it clear that he knows she’s the only person he can trust with his secret, because he knows all about hers.

Bold, atmospheric, and utterly frightening, Johnny Compton’s Dead First is spine-chilling supernatural horror about the pursuit of power and the undying need for reckoning.

Visit Johnny Compton's website.

--Marshal Zeringue

"Making Babies in Early Modern England"

New from Cambridge University Press: Making Babies in Early Modern England by Leah Astbury.

About the book, from the publisher:

Early modern English people were obsessed with making babies. In this fascinating new history, Leah Astbury traces this preoccupation through manuscript letters, diaries, recipe books and almanacs, revealing its centrality to family life. Information was plentiful in guides on the burgeoning fields of domestic conduct and midwifery, as well as in the many satirical ballads focused on sex, marriage and family. Astbury utilises this broad source base to explore all aspects of early modern childbearing, from conception to the months after delivery. She demonstrates that, while religious and cultural ideals dictated that women carry out all of this work, men were engaged in its practice through directing medical decisions. With the entire household including servants, wetnurses and other unexpected actors included in the project, childbearing can be situated within the histories of gender, medicine, social status, family and record-keeping.

Visit Leah Astbury's website.

--Marshal Zeringue